Hellboy has come to the massive display in a brand new kind – however the opinions will not be being sort to the massive crimson man. Directed by Neil Marshall, the 2019 Hellboy was put into manufacturing after years of followers begging for a third Hellboy movie from director Guillermo del Toro, and for Ron Perlman to return to the title position. Instead, the franchise has been rebooted with Stranger Things actor David Harbour sporting the over-sized hand and sawn-off horns.

After the primary detrimental opinions of Hellboy had been launched, a report quickly emerged that detailed a troubled production, by which Marshall’s cinematographer, Sam McCurdy, was fired and producers Lawrence Gordon and Lloyd Levin allegedly interrupted rehearsals and even gave the actors instructions that contradicted Marshall’s. How a lot of the report is correct stays unclear (the producers’ lawyer denied a lot of the claims), however evidently battle behind the scenes could have had a critical influence on the completed product.

Related: Hellboy 2019’s Ending Explained

Hellboy presently holds a 15% rating on Rotten Tomatoes with 145 opinions counted, and a mean score of simply 3.5/10 – and that less-than-enthusiastic response has been mirrored in its dismal $12 million opening weekend at the box office. To offer you an concept of what went mistaken, listed here are some “highlights” from essentially the most brutal opinions of Hellboy:

Reel Views:

Comparing it to Del Toro’s 2004 authentic and 2008 sequel is like making an analogy between a Broadway manufacturing and a highschool stage present. My recollections of the primary Hellboy had been of a enjoyable, fantastical superhero journey. Future ideas of the 2019 iteration are more likely to curdle; it’s a chore to sit down via and never one thing I’ll need to revisit at any level for any cause.

The New York Times:

“The end is coming,” Hellboy’s dying good friend says close to the start, and I used to be already pondering, “Oh yes, please.”

Time Out:

Guillermo del Toro’s authentic two Hellboy movies gave us a lovable outsider with an enormous coronary heart, a much bigger fist and a penchant for cats and cigars, however solely the fist survives this horrible redo… It’s two hours lengthy however seems like an eternity, lurching incoherently from one noisy set-piece to a different.

New York Post:

The race for worst film of the yr is heating up. You might even say it’s hotter than hell, now that “Hellboy” has taken the lead. This terrible, disgusting, unfunny, idiotically plotted comedian ebook flick offends the senses as a lot because the rankest subway automotive on the most well liked summer time day.


It’s lunging to be a badass hard-R epic, however it’s principally a pile of origin-story gobbledygook, frenetic and undercooked, filled with limb-hacking, eye-gouging monster battles in addition to an environment of apocalyptic grunge that signifies subsequent to nothing.

The AV Club:

The sentimental father-son subplot is Hellboy at its most laughably absurd, highlighting the chasm between its script and its path. Harbour, so endearing as Sheriff Hopper on Stranger Things, has not one of the agreeable humor Ron Perlman dropped at the character; consequently, his many quips go over like a fart in an elevator.

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While the final critic consensus on Hellboy is not precisely nice, the reboot wasn’t fairly universally hated. Even detrimental opinions discovered room to reward Marshall’s path or the film’s dedication to finish madness. Here are some highlights from those that discovered one thing to like about this monster:

The Wrap:

Marshall’s “Hellboy” is a horrifyingly good time. It captures the breathless high quality of studying 30 problems with a single comic-book collection in a single sugar-addled afternoon, shoving as many wonderful characters and storylines and pictures into one movie as it may probably maintain. It might have appeared overstuffed and frenetic, however this new “Hellboy” as a substitute comes throughout as imaginative and freewheeling.

Boston Herald:

This new “Hellboy,” which relies on a 2008 comedian ebook collection by Mignola and tailored to the display by Andrew Cosby (TV’s “Eureka”), is at instances completely nuts and slipshod. But the consequences are enjoyable and creative for a change, and Marshall’s punk rock sensibility works properly with lots, if not all, of the demonic shenanigans happening.

Film Bunker:

Sure, this factor received’t win any Oscars, however it’s a slice-em and dice-em-style piece of absolute insanity that’s fairly endearing to observe… I discovered this movie slightly like a greasy McDonalds breakfast—typically it tastes like s**t, however if you find yourself hungover and principally braindead, it hits simply the best spot.

More: Read Screen Rant’s Review of Hellboy