Lucifer film evaluation: Prithviraj dwarfs a neat premise with Mohanlal and pretensions to a huge scale
- Cast: Mohanlal, Manju Warrier, Vivek Oberoi, Prithviraj Sukumaran, Tovino Thomas, Indrajith Sukumaran, Kalabhavan Shajohn, Saniya Iyappan, Nyla Usha, Baiju, Saikumar, Shakti Kapoor
- Director: Prithviraj Sukumaran
Rating: 1.75 (out of 5 stars)
In a scene typifying the general tone of Lucifer, Stephen Nedumpally stands dealing with an armed villain. The unhealthy man has a gun pointed proper at Stephen’s brow, whereas a bunch of others look on. Several gradual mo photographs, flying fists and mundus later, the hero has snatched the weapon, killed at the very least half a dozen males and along with his naked fingers grievously injured the remainder of his foes who got here at him not all collectively however in batches for his comfort as business Indian cinema’s satellite tv for pc villains are likely to do.
Stephen, it dawns on his arch enemy then, isn’t any strange man. He is, in any case, performed by megastar Mohanlal, he who’s deserving of a smashing entrance, a scaled-up soundscape and smart strains.
Devotion to the Malayalam cinema legend isn’t Lucifer‘s solely weak point. The movie is equally hampered by a poor screenplay that fails to take its uncommon premise ahead and by pretensions to a huge scale that find yourself miring the complete narrative in clichés.
As far as disappointments go, this one is a double whammy. Writer Murali Gopy most lately demonstrated his understanding of Kerala politics by means of Kammara Sambhavam (even when it sadly degenerated right into a propaganda automobile for Dileep). In Lucifer, which is about towards the backdrop of politics within the state, although he begins and ends with an fascinating tackle the character of evil, he flounders in between because the objective seems to grow to be the creation of a grand epic relatively than a soul-searching examination of the topic by means of relatable characters.
As if that isn’t sufficient of a let-down, there’s the truth that actor Prithviraj Sukumaran makes his directorial debut with Lucifer. Here is one other one among his works that doesn’t match the worldview and intelligence he reveals in his interviews.
The story of Lucifer kicks off with the dying of the veteran Kerala chief PK Ramadas, also referred to as PKR, leading to an influence battle in his celebration and household. Among the numerous gamers on this recreation are Stephen who’s the previous man’s foster youngster, PKR’s daughter Priyadarshini (Manju Warrier), son-in-law Bimal Nair a.okay.a. Bobby (Vivek Oberoi) and son Jathin (Tovino Thomas). In the background hovers a gun-toting mercenary known as Zaid Masood (Prithviraj himself) and a video blogger performed by Indrajith Sukumaran.
Unless the director merely wished to show that he has the clout to rope in such a stellar meeting, the casting is inexplicable. Why would you collect a few of Malayalam cinema’s largest stars throughout generations, superb actors besides, after which waste most of them? Tovino Thomas will get an introductory shot that’s worthy of a star and an enthralling scene at a political rally, past which he has little else to do. Prithviraj’s job is to sometimes seem, look intimidating and disappear.
The most prison under-use of expertise is reserved for Manju Warrier whose major process is to hold round. As it’s, there are hardly any girls in Lucifer, even in crowd scenes. Those which can be there are all shadows on the margins of the boys’s lives — by no means taking any initiative, however as an alternative current solely to be manipulated, abused, led, guided and/or saved by the boys.
The largest thriller is why Prithviraj hauled Vivek Oberoi all the way in which from Bollywood for this function. Oberoi has barely lived as much as the promise he confirmed in Ram Gopal Varma’s acclaimed Company in 2002. He brings nothing to the one function in Lucifer aside from Stephen Nedumpally that has been written with any diploma of care. This casting determination comes throughout as a part of a misinformed try to present Lucifer resonance within the north, in direction of which finish even Shakti Kapoor — lengthy forgotten by Bollywood — has been given a cameo, a Hindi ‘merchandise’ quantity is added to the combo, and the tip credit are accompanied by one other Hindi tune. Considering Prithviraj’s stature in Mollywood, one among India’s most revered movie industries, the evident effort to draw consideration elsewhere is sort of embarrassing.
(Spoiler alert) An episode of sexual abuse in Lucifer known as for just a bit bit extra braveness on the a part of the author who makes the perpetrator a stepfather relatively than a organic father, (spoiler alert ends) however the fleeting reference to communal divides on the political panorama and the fashion makeover given to a political aspirant are all indicators of how far more this movie might have been if the screenplay had stayed centered and probed deep, if the director had not been so anxious to impress.
Lost in a cloud of Mohanlal-ness, pomposity, ineffectual characterisation and pointless excessive close-ups (together with one very pronounced, relatively irritating shot of Lalettan’s hand), are a luscious-looking Kerala and an interesting premise.
Right in the beginning, the activist blogger Govardhan equates Stephen Nedumpally with Hinduism’s Mahiravana, Iblis from Islamic mythology and Christianity’s Lucifer from whom the title comes.
Stephen himself says at one level that the best fraud perpetrated on the general public has been the declare that politics is a battle between good and evil although it’s, in his view, the larger evil versus the lesser evil.
The two strains are tied in by repeated parallels drawn between Stephen and Lucifer, the fallen angel of Christian mythology, the one who rebelled towards God, who on this movie’s universe is refashioned and repositioned as a “necessary evil”.
There is a lot that would have been performed with this intriguingly frank and practical concept on the essentialness of evil — in politics and for human survival at massive. What we get as an alternative is Lucifer‘s clear ambition that overwhelms the whole lot else on this enterprise.
<!– Published Date: Mar 28, 2019 19:53 PM
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Updated Date: Mar 30, 2019 10:17:02 IST